π ꡬλ
λ¬Όμ§, μμ°, νλΌλ리λ μ μ±μ§μ λνλ΄λ ꡬμ±μμ.
μΈ κ°μ§μ κ΅¬μ± μμλ₯Ό κ°μ§κ³ μλ€.
βͺSattva (μ€λ¨λ°;μΈλμ)
β κ³ μν¨, λͺ λ£, κ°λ²Όμ, λͺ ν,
λμ΄ λΆμ¬(μμ£Ό λ°μ), λΉ(ε ) : 곡기
;Prakasa(νλΌκΉμ€) ;clear, lucid, light
βͺ Tamas(νλ§μ€)
β μμ§μ΄μ§ μ«μ΄νλ κ²,
κ΄μ±, λν¨, 무거μ : μ§κ΅¬
; Sthiti(μ€ν°λ ) λΉνλ, μ 체ν¨.
;inertia(λΆνλ°μ±), dull, heavy
βͺ Rajas(λΌμμ€)
β λΆμ μλμ§ κ°μ,
κ΅μ₯ν νλμ μΈ κ²,
νλμ± : λΆ(η«)
μΈ κ°μ§μ κ΅¬μ± μμλ€μ΄
본격μ μΌλ‘ νλνλ ꡬ체μ μΈ μΈκ³κ° μ΄ μΈκ³.
ββ μ°λ¦¬κ° μ΄κ³ μλ μ΄ μΈκ³.
λͺ¨λ μΈ κ°μ§ κ΅¬μ± μμκ° νν μνμ μμ λ,
= νλΌλ, νμ΄ μλ€.
κ·Έλ€μ (ꡬλλ€μ) λ¬Όμ§μ μν₯μ μ£Όμ§ μλλ€.
κ·Έλ¬λ ꡬλλ€μ μ‘°κΈμ΄λΌλ
μ½κ°μ΄λΌλ λμκ° μμΌλ©΄
κ·Έκ²μ λ¬Όμ§μ μμ§μμ μΌμΌν€λ©°,
λͺ¨λ μ’ λ₯μ ννλ€μ μΌμΌν¨λ€κ³ ν¨.
κ·Έλ¬λ ꡬλλ
κΈμ μ μΈ, λΆμ μ μΈ μμκ° μμ.
μλ₯Ό λ€μ΄,
Tamas(νλ§μ€)
κΈμ μ μΈ- λΏλ¦¬λ΄λ €μ Έ μμ, μμ μ .
λΆμ μ μΈ- λνκ³ κ²μΌλ¦.
νλ§μ€λΌλ μμλ
ν¬κ² 보면 ν κ°μ§ μλ―Έμ΄μ§λ§
κΈμ , λΆμ μ μΈ μμλ‘
λλ μ μλ€λ μ μ΄λ€.
λ κ°μ§λ₯Ό 보면 κ²°κ΅ κ°μ μμ±μ
κ°μ§λ€λ κ²μ μ μ μλ€.
SATTVA
Each guna has its own characteristics. The essence of sattva is to act like a transparent pane of glass,
allowing lightβthe light of conscious awarenessβto reveal itself in the operations of the mind and in nature. Sattva is not enlightenment itself but it unveils what is true and real (sat). It shows itself as beauty, balance, and inspiration, and it promotes life, energy, health, and contentment. Cultivating sattvaβby making choices in life that elevate awareness and foster unselfish joyβis a principal goal of yoga.
TAMAS
Tamas conceals the presence of consciousness. It causes dullness and ignorance through its power to obscure. Its nature is heavy and dense. One Sanskrit synonym for tamas is sthiti, or βsteady.β In its more sattvic garb, tamas can supply a steadying influence in lifeβfor example, bed rest can lead to healing. But tamas is primarily immobilizing: tamasic foods are lifeless, stale, or impure; tamasic entertainment is mindless and intoxicating. Tamas leads to inaction when action is required. Each of us has experienced the binding power of tamasβthe appeal of lethargy, procrastination, and sleep.
RAJAS
Rajas is the energy of change. It is distinguished by passion, desire, effort, and pain. Its activity may cause movement either toward sattva (increased spiritual understanding) or tamas (increased ignorance). Thus it may act positively or negatively. But it is most often characterized as unsteady, agitated, and unhappyβprompting change for changeβs sake alone. If freshly picked tomatoes are sattvic, spicy tomato sauce is rajasicβgood for a Friday night pizza, but perhaps not an everyday meal choice. Rajas brings happiness by prompting the coupling of the senses with their objects. Thus rajas also binds us to attachment, to the fruits of action, and to sensory pleasures of every kind.
The three gunas are constantly interacting with one another. We can discern hints of this interplay in English phrases such as βinnocent pleasureβ (sattva-infused rajas) or βrabid addictionβ (rajas-propelled tamas). But while the gunas themselves are permanent in essenceβ having emerged from primordial nature (prakriti)βtheir interactions are transitory and afford only a false impression of permanence. In this way, the play of the gunas obscures the real (sat), and attracts and binds us to what is ultimately unreal (asat).
Unmanifest prakriti is a reservoir of limitless potential
consisting of three fundamental forces called the gunas
βsattva, rajas, and tamasβin balance with each other.
Through the interplay of these forces,
prakriti manifests as the universe.
Therefore, all that can be known in this world,
tangible and intangible, is a manifestation of
the gunas in their various forms.
yogainternational.com/article/view/the-gunas-natures-three-fundamental-forces
π Savasana μ¬λ°μ¬λ
from λ°μ΄λΉλ μ€μΉλππ
νλΌν¬λ¦¬λ μμμμλ
μΈ κ°μ§μ μ±μ§μ λλ μ μμ.
μ΄κ²μ΄ μ€μνλ€.
μ¬λ°μ¬λμμλ
μ¬νΈλ° & νλ§μ€
μ΄ λ κ°μ§λ₯Ό λλ μ μλ€.
μκ°ν΄λ³΄λ©΄
μκ° μμ¬λ μλ ¨μ΄ λλκ³
μ¬λ°μ¬λμ μκ°μ
λͺΈμ΄ κ°λ²Όμ΄ μνμμ
λ λ΄ λͺΈμ 무κ²κ² μ§λ©΄μΌλ‘ λ΄λ €μλ
μ΄μλ μνλ₯Ό κ²½ννκ² λλ.
κ·Έ μνμ λ°λΌ
κ·Έ μλ ¨μ μ§μ€, μνλ₯Ό
μ μ μλ¬κΉ..
νλΌλ리ν°
κ·Έλ¦¬κ³ κ΅¬λ!
μ΄ κ°λ μ λν΄μ λ€μ νλ²
μ 리νλ κ·Έ μκ°μ΄
μκ° μνΈλΌ 곡λΆνλλ°
μ€μνκ³ λμμ΄ λ κ² κ°μμ
μ€μΉλκ» λ°°μ λ λ΄μ©μ λν΄μ
μ 리ν΄λ³΄μλ€.
λ€μμλ ꡬκΈλ§ ν΄μ λ μΆκ°ν΄μΌμ§.
μ΄λ €μ΄ κ°λ μ΄λ,
λμ μκ°, κ°μ λ€μ΄ μ£Όλ
κ·Έ μλμ§λ€κ³Όμ νμ€ν
μ°κ²°λμ΄μμμ λλ μ μμλ€.
π€π
* νΌλλ°±μ μΈμ λ νμν©λλ€.
λ°μ€ν¨μΌλ‘ λλ μ£ΌμΈμ.
곡κ°μ μ μκ² ν¬λ§μ΄ λ©λλ€.π»